Angelo Gilardino: Ikonostas,
omaggio a Pavel Florenskij
per chitarra
8 pp., $8.95, Presser Order number 494-02726
(PWYS-70)
A note from the
composer:
Pavel
Florenskij was a Russian theologist, scientist, philosopher and writer. A
genius. Born on 1882, he was arrested shot in 1938. It was a political murder.
His books have recently been published in Western countries. Reading them, I was
especially fascinated by a poetical essay entitled
Иконостас
- which I read in the Italian version published by Adelphi Edizioni and
entitled Le porte regali (The Royal Doors). This books deals with the art of icon painting and introduces to a
metaphysic of the images and of the light completely unknown to Western art.
With the help of such a book, a sensitive reader can enter the doors of the
Iconostasis, a border between the visible and the invisible world. Whilst
reading Florenskij, it happened to me to listen to a recording of a Russian
guitar piece performed on the Russian guitar by
Matanya Ophee
and by Stanley Yates. I
asked their advice and help on a project of mine, writing a piece – if not
for the 7 string Russian guitar – at least for the normal six string guitar,
tuned in a way that approached the Russian guitar tuning. With their
encouragement, in the Fall of 2004, I composed this work, conceived as a homage
to Pavel Florenskij.
Angelo
Gilardino was born in 1941 in Vercelli, Italy. He received his early musical
education in guitar, cello and composition in the local music school in
Vercelli. New compositions dedicated to him by composers from all the world, and
premiered by him, number in hundreds. Since 1967 Gilardino directs the Edizioni
Musicali Bèrben series of twentieth century guitar music series, perhaps
the leading series of its kind worldwide. Important parts of his compositional
output are the collection of the sixty Studi di virtuosità e di trascendenza,
two Sonatas, the Variazioni sulla Follia, the Variazioni sulla
Fortuna, the Musica per l’angelo della Melancholia Suite, all for
guitar solo and four Concertos for guitar and various chamber ensembles. His
works are regularly performed in concert, recorded and featured as test pieces
in competitions. He has given more than 200 courses, seminars and
master-classes in various European countries, invited by universities,
academies, conservatories and festivals. In 1997, he has been appointed as the
artistic director of the “Andrés Segovia” Foundation of Linares, Spain.
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Last Modified:
Sunday, March 02, 2008 02:28 PM